✪✪✪ Good Night And Good Luck

Friday, June 25, 2021 1:53:05 AM

Good Night And Good Luck

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Please indicate where to send you the sample. Your sample has been sent. Don't waste time. Let our experts help you. Hire verified expert. By continuing you agree to our cookie policy. HIRE Writer. Money Back Guarantee. Interest is piqued when it is found that the compilation of charges at Radulovich's hearing was in a sealed envelope and nobody saw them. Murrow presents the story to CBS News' director, Sig Mickelson, who warns Murrow that the story will bring serious accusations and repercussions to CBS and their sponsors, some of whom have government contracts.

He reluctantly allows the story to air, which gains positive responses from the public. Murrow also tries to ease the worries of his colleague, Don Hollenbeck , who is struggling with both the strain of his recent divorce and attacks from newspaper writer Jack O'Brian , who is accusing him of being biased in his news reporting and being a " pinko ".

Wershba is then given an envelope suggesting that Murrow has previously interacted with the Soviets and used to be on their payroll. He warns him that if any members of his staff are associated with Communism in any way, however remotely, they would have to recuse themselves from Murrow's next story. They were planning to make a direct attack on Senator Joseph McCarthy and his crusade against Communist infiltration in the U. Friendly and Murrow gather their staff together, and when one of the team members voluntarily excuses himself because his ex-wife had attended Communist meetings before they even met, Murrow concludes that this kind of fear is what McCarthy wants.

The team stays together and presents the story, which becomes highly praised by the public and the press, with the exception of Jack O'Brian, who continues to attack both Murrow and especially Hollenbeck on their supposed support of communism. Hollenbeck pleads with Murrow to go after O'Brian, but Murrow reluctantly tells him that he cannot attack O'Brian while he is busy going after McCarthy.

As the team turns their focus to a filmed hearing of Annie Lee Moss , a Pentagon communication worker accused of being a Communist based on her name appearing on a list seen by an FBI infiltrator of the American Communist Party , they receive the news that Milo Radulovich is being reinstated by the Air Force, citing no direct evidence supporting any connections with Communism. McCarthy then asks for the opportunity to speak for himself on Murrow's show, which Murrow allows.

McCarthy openly accuses Murrow of being a Communist, citing several pieces of evidence that seem to support it. Murrow broadcasts a rebuttal the following week, easily disproving McCarthy's accusations and pointing out that McCarthy didn't do anything to defend himself other than accuse anyone who opposes him as being either a Communist or a Communist sympathizer. A few days later, the news arrives that the U. Senate is investigating McCarthy, which means the imminent end of his crusade. As the team celebrates, Friendly and Murrow learn that Hollenbeck has died by suicide. Paley then tells Murrow and Friendly that their news program's air time is going to be severely cut, citing the high costs of the show's production, along with Murrow's attacks on controversial topics.

Also, Joe Wershba and his wife Shirley, who have been concealing their marriage due to CBS forbidding co-workers from being married, are approached by Mickelson, who tells them that everyone knows of their marriage and that he will allow one of them to resign to save face, which Joe agrees to do. Murrow" on October 25, , in which he harshly admonishes his audience not to squander the potential of television to inform and educate the public, so that it does not become only "wires and lights in a box".

In September , Clooney explained his interest in the story to an audience at the New York Film Festival : "I thought it was a good time to raise the idea of using fear to stifle political debate. The elder Clooney also ran for Congress in Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. The CBS offices and studios seen in the movie were all sets on a sound stage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level.

The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license—the CBS executive offices at the time were located at Madison Avenue. Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.

A small jazz combo starring jazz singer Dianne Reeves was hired to record the soundtrack to the movie. This combo Peter Martin , Christoph Luty, Jeff Hamilton and Matt Catingub was featured in the movie in several scenes; for example, in one scene the newsmen pass a studio where she is recording with the rest of the band. The soundtrack to Good Night, and Good Luck. The film's score was composed by Jim Papoulis. The website's critics consensus states: "A passionate and concise cinematic civics lesson, Good Night, and Good Luck has plenty to say about today's political and cultural climate, and its ensemble cast is stellar.

Roger Ebert , in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall some would say his self-destruction. It is like a morality play , from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless. Pomeranz commented that, "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion. Jack Shafer , a libertarian -leaning columnist for the online magazine Slate , accused the film of continuing what he characterizes as the hagiography of Murrow.

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