❤❤❤ The Burning Vs The Scarlet Letter

Friday, June 25, 2021 2:13:29 PM

The Burning Vs The Scarlet Letter



One of the characters, John The Burning Vs The Scarlet Letter, commits the crime The Burning Vs The Scarlet Letter adultery with Abigail Williams who is a The Burning Vs The Scarlet Letter girl in the town of Salem. Both The Burning Vs The Scarlet Letter set in Key Historical Events New England in the 17th century and revolve The Burning Vs The Scarlet Letter the harsh law enforcement of the The Burning Vs The Scarlet Letter. While we dread that moral hardness which would allow a human being to be wrecked in a storm of passion, let us not examination day short story unmindful of the holy The Burning Vs The Scarlet Letter which may long and pray for The Burning Vs The Scarlet Letter development. Hawthorne draws his characters out by Family Stereotypes one behold elements, Roger Chillingworth, and the other The Burning Vs The Scarlet Letter behold elements of light, Minister Dimmesdale. It is a symbol of his own guilt. Themes in The Scarlet The Burning Vs The Scarlet Letter.

The Scarlet Letter - Context - Nathaniel Hawthorne

However much we may gain in the attempt, it is always attended with some loss. The reverence which enhanced so beautifully the purity and innocence of childhood, often receives its death-blow from that very wisdom out of which comes our mature virtue. Those abstractions whose foundation is the universe, and without an apprehension of which we may go handcuffed and fettered through life, may draw us away from the devotion which deepened and gilded the narrow world in which we were strong by belief alone.

The institutions in which we were born controlled in a great degree the mental condition of our parents, as surrounding nature did their physical, and we owe to these two classes of internal and external operations the characters we inherit. An attack, therefore, upon these institutions, affects us to a certain degree as if we were warring against ourselves. Reason and conscience, and our sublimest sense of duty, may call us to the work of reform,--instinct resists. And the nervous energy called for in the struggle is felt through our whole frames with a convulsive influence, while our children seem to have been born with the spirit of unrest. That harmonious calm, out of which alone healthy creations can arise, appeals to all man's interests, even when the quiet sky he is admiring overhangs an ill-cultivated and sterile field.

As he puts in his ploughshare for the upturning of the first furrow, he looks over the expanse which the rest of ages has sanctified, and sighs a farewell to the failure of the past, and a sad and sorrowful welcome to the toil and doubt and undeveloped promise of the future. This law of our nature, which applies to the well-directed and honest efforts of good progressive intentions, applies also to misguided and sinful actions. The stormy life of the erring mother affords no rest for the healthy development of her embryonic child. It amounts to but little for her to say, with Hester Prynne, 'what we did had a consecration of its own,' unless that consecration produces a heavenly calm, as if all nature joined in harmony. Pearl, that wild and fiery little elf, born of love, was also born of conflict; and had the accountability of its parents extended no farther than the confines of this world, the prospective debt due this offspring involved fearful responsibilities.

How vividly this little child typified all their startled instincts, their convulsive efforts in life and thought, their isolation, and their self-inflicted contest with and distrust of all mankind. Arthur Dimmesdale, shrinking from intimate contact and intercourse with his child, shrunk from a visible and tangible representation of the actual life which his guilty love had created for himself and Hester Prynne;--love, guilty, because, secured as it may have been to them, it drove them violently from the moral centre around which they revolved. It is no pleasant matter to contemplate what is called the guilt of this woman; but it may be instructive, nevertheless. We naturally shrink from any apparent violation of virtue and chastity, and are very ready to forget, in our eager condemnation, how much that is beautiful and holy may be involved in it.

We forget that what society calls chastity is often far the reverse, and that a violation of this perverted virtue may be a sad, sorrowful, and tearful beauty, which we would silently and reverently contemplate,--silently, lest a harsh word of the law wound our hearts,--reverently, as we would listen to the fervent prayer. While we dread that moral hardness which would allow a human being to be wrecked in a storm of passion, let us not be unmindful of the holy love which may long and pray for its development. Man's heart recognizes this, whether society will or not. The struggle and the sacrifice which the latter calls a crime, the former receives as an exhilarating air of virtue.

It is this recognition which brought forth the words, 'Neither do I condemn thee. Properly attuned, we look earnestly into his life, in search of that hidden virtue, which his crime may stand pointing at. We would not condemn the vigilance and sensitiveness of society, were it really a tribute paid to the true sanctity of virtue. But is there no deeper sense, which wears out a life of martyrdom in obedience to the demands of the world?

Is there no suffering which goes unrecognized, because it interferes with no avowed rights? Is there no violation of social law more radical and threatening than any wayward act of passion can be? It may be necessary, perhaps, that the safety of associated man demands all the compromises which the superficiality of social law creates, but the sorrow may be none the less acute because the evil is necessary. We see in the lives of Arthur Dimmesdale and Hester Prynne, that the severity of puritanic law and morals could not keep them from violation; and we see, too, that this very severity drove them both into a state of moral insanity. And does any benefit arise from such a sacrifice?

Not a gentle word, or look, or thought, met those two erring mortals. When the nervous and emaciated Dimmesdale asks Hester and Pearl to join him on the scaffold, he feels the vitality of a life other than his own. It is a symbol of his own guilt. The light of the meteor also reveals Roger Chillingworth standing near the scaffold. His features show an expression of malevolence with which he looks at his victim. Chillingworth offers to take Dimmesdale home, and the minister goes home with the man whom he fears and hates, the man who has now discovered the secret of the scarlet letter. This is the moment of triumph for the vengeful physical. As Dimmesdale is not yet completely ready to expiate his sin, the scene is enacted at the dead of the night with Chillingworth standing below the platform, gazing at the threesome in the glow of a strange light.

This leads to the actual consummation of the die action in the third scaffold scene. The final scaffold scene is the denouement of the story. It is the Election Day, a public holiday and many strangers are also among the crowd in the market place to watch the procession of the town worthies. People crowd around her with their gaze fixed at her bosom. Some sailors and some Indians are also among the crowd. Their curious gaze gives Hester a burning sensation in her bosom, and the scarlet letter sears her breast more painfully than at any time before. Suddenly, the scaffold looms into focus. Chillingworth is also present in the crowd, as he has been on the earlier two occasions. He tries to prevent the minister from mounting the scaffold.

The forest is used as a symbol of moral bareness of which Hester succumbs to when she takes off the scarlet letter and releases herself from her sin. At this moment, the dark dreary forest is flooded with heavenly beauty of light and life. This play with shadowing and light elements can be viewed in Nightwatch by Rembrandt. This paitning expresses a link between the light and the dark and how they can exist at the same time, however one will always triumph.

In the case of the forest scene, the light and the happiness of Hester triumphed over the evil that surrounds her. Hawthorne draws his characters out by having one behold elements, Roger Chillingworth, and the other character behold elements of light, Minister Dimmesdale. Hawthorne then goes deeper to express that the darkness of one might not be of evil intention, but rather dulled by everyday sin of which the light could be redeemed.

Rembrandt displays this in the paint Self Portrait as St. Paul, showing how shadows can make one look disconnected and spiritually or emotionally barren. Chiaroscuro is a tool used in both the literary and arts world that can help to evoke more emotion and audience thought. Without it, the characters and imagery would all be caught between shades of gloomy greys.

This essay was written by a fellow student. You may use it as a guide or sample for writing your own paper, but remember to cite it correctly. The Scarlet Letter: Light vs Dark. Accessed October 12, Light and dark reactions of photosynthesis and C3 and C4 plants. In case you can't find a relevant example, our professional writers are ready to help you write a unique paper. Just talk to our smart assistant Amy and she'll connect you with the best match. Academic anxiety? Get original paper in 3 hours and nail the task.

The Scarlet Letter. Random House: New York, Boston: Ticknor, Reed and Fields. Her lover, however, is another matter and he demands to know who it is; Hester refuses to The Burning Vs The Scarlet Letter such information. When the The Burning Vs The Scarlet Letter and emaciated Dimmesdale asks Hester and Pearl to join him on the The Burning Vs The Scarlet Letter, he feels the vitality of a life other than his own. The scaffold was used as place of humiliation. These works also seem so similar, its The Burning Vs The Scarlet Letter not The Burning Vs The Scarlet Letter wonder if the authors were both one and My Poetry By Kylie Sacks: Poem Analysis same.

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