① Romeo And Juliet Mercutio Quotes
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Romeo \u0026 Juliet - Mercutio
Prominent use of this is the idea of darkness and light. Romeo when discussing Juliet often draws on imagery suggesting lightness. This serves two purposes, firstly the light connotations with goodness and purity. Romeo also uses religious imagery to describe Juliet to that end. Therefore, the light references also tie in with the theme of fate. He soon realizes that had he have taken part in a dual Tybalt, which the code of honor of the time dictated he should have that Mercutio would have probably lived.
The idea of masculinity is represented in an interesting way here. Feminity is associated with kindness and masculinity with violence. Romeo suggests that loving Juliet has made him more feminine and less able to carry out his duties as a man. Not only is this one of the most well-known quotes from the play it is also one of the most frequently misinterpreted. This is largely down to the difference between modern English and the language of Shakespeare.
This line is commonly interpreted as being Juliet asking where Romeo is as if she is looking for him. While she rightly takes issue with his name, surely it is his surname that is the issue? It is nor hand nor foot, Nor arm nor face nor any other part Belonging to a man. Oh, be some other name! That which we call a rose By any other word would smell as sweet. Once again, these are probably quite familiar words. Therefore, Romeo despite having a disagreeable name must also still be the person she believes him to be. Torments him so, that he will sure run mad.
O, he is the courageous captain of compliments. He fights as you sing prick-song, keeps time, distance, and proportion; rests me his minim rest, one, two, and the third in your bosom: the very butcher of a silk button, a duellist, a duellist; a gentleman of the very first house, of the first and second cause: ah, the immortal passado! O, their bones, their bones! Perchance she cannot meet him: that's not so. O, she is lame! Now is the sun upon the highmost hill Of this day's journey, and from nine till twelve Is three long hours, yet she is not come.
Had she affections and warm youthful blood, She would be as swift in motion as a ball; My words would bandy her to my sweet love, And his to me: But old folks, many feign as they were dead; Unwieldy, slow, heavy and pale as lead. O God, she comes! A public place. Thy head is as fun of quarrels as an egg is full of meat, and yet thy head hath been beaten as addle as an egg for quarrelling: thou hast quarrelled with a man for coughing in the street, because he hath wakened thy dog that hath lain asleep in the sun: didst thou not fall out with a tailor for wearing his new doublet before Easter? O simple! Spread thy close curtain, love-performing night, That runaway's eyes may wink and Romeo Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. Come, civil night, Thou sober-suited matron, all in black, And learn me how to lose a winning match, Play'd for a pair of stainless maidenhoods: Hood my unmann'd blood, bating in my cheeks, With thy black mantle; till strange love, grown bold, Think true love acted simple modesty. Come, night; come, Romeo; come, thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back. Come, gentle night, come, loving, black-brow'd night, Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun.
O, I have bought the mansion of a love, But not possess'd it, and, though I am sold, Not yet enjoy'd: so tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them. O, here comes my nurse, And she brings news; and every tongue that speaks But Romeo's name speaks heavenly eloquence. Enter Nurse, with cords. Madam, good night: commend me to your daughter. Wife, go you to her ere you go to bed; Acquaint her here of my son Paris' love; And bid her, mark you me, on Wednesday next-- But, soft!
Well, Wednesday is too soon, O' Thursday let it be: o' Thursday, tell her, She shall be married to this noble earl. Will you be ready? We'll keep no great ado,--a friend or two; For, hark you, Tybalt being slain so late, It may be thought we held him carelessly, Being our kinsman, if we revel much: Therefore we'll have some half a dozen friends, And there an end. But what say you to Thursday? Go you to Juliet ere you go to bed, Prepare her, wife, against this wedding-day. Farewell, my lord. Light to my chamber, ho!
Afore me! Good night. ROMEO It was the lark, the herald of the morn, No nightingale: look, love, what envious streaks Do lace the severing clouds in yonder east: Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops. I must be gone and live, or stay and die. I'll say yon grey is not the morning's eye, 'Tis but the pale reflex of Cynthia's brow; Nor that is not the lark, whose notes do beat The vaulty heaven so high above our heads: I have more care to stay than will to go: Come, death, and welcome! Juliet wills it so. How is't, my soul? The name Mercutio was present in Shakespeare's sources for Romeo and Juliet , though his character was not well developed and he was presented as a romantic rival for Juliet.
Da Porto briefly introduces a character named Marcuccio Guertio, a noble youth "with very cold hands, in July as in January", who makes Giulietta Cappelletti appreciate the warm hands of Romeo Montecchi. Earlier versions of the story described a different chain of events leading to Tybalt's death, omitting Mercutio completely. In both stories, Tybalt attacks the pacifist Romeo with such force that Romeo is forced to take up the sword to defend himself. He is then banished rather than executed because the killing was provoked. In , English poet John Dryden wrote, "Shakespeare show'd the best of his skill in his Mercutio, and he said himself, that he was forced to murder him in the third Act, to being killed by him.
The addition of Mercutio into the fray increases the tension, and Tybalt is seen as a slightly more peaceful character than in previous versions, as Mercutio is disgusted by the fact that Tybalt continues to search for a quarrel with Romeo, when Romeo is trying to bring peace between them. Mercutio hurls insults and taunts at Tybalt, and draws the sword first, in reaction to Tybalt's insults, which are directed to Romeo. Mercutio's death in Act III, scene I is the pivotal point of the play, which up to this point is relatively light-hearted. From Wikipedia, the free encyclopedia.
Edwin Austin Abbey , Springfield, Massachusetts: Merriam Webster, Incorporated. ISBN The Review of English Studies. JSTOR In Bloom, Harold ed.What romeo and juliet mercutio quotes wonderful line this is from Mercutio. Came he not home to-night? This shows that Romeo is indecisive because he was romeo and juliet mercutio quotes love with another girl and he changed his mind when he romeo and juliet mercutio quotes to Essay On Nutrition During Pregnancy party and saw Juliet. Madam, madam, madam! But what say you to Romeo and juliet mercutio quotes What is also interesting here is romeo and juliet mercutio quotes Juliet is coming across as quite besotted romeo and juliet mercutio quotes Romeo because she romeo and juliet mercutio quotes unaware he is listening to her.